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Copyright Katy Grannan
I also got to see the anniversary show, the surveillance show and the Cartier-Bresson show at SFMOMA and all were excellent. Here's a Wayne Thiebaud I fell in love with and which also reminded me of the Granann's with that harsh sunlight.
The highlight of the trip, though, was Pier 24. To quote someone I talked to who had checked out Annenberg while in town for photo LA and was comparing the two, "Annenberg is like going to Disneyland." Pier 24 is anything but. I'd say it's more like going to heaven.
Since only 20 people at a time, 60 each day are allowed to make reservations, it's a perfect contemplative environment for viewing work in an incredible space and what work there is! I'll definitely be making it up again for future shows and wish LA had something comparable. You have to go check out this photographic Mecca. Here are a couple of mediocre architectural shots, since they were hand held and I only had a 50mm prime. Top photo is a glimpse into the conference / reception room and those Bechers are about 20-25% of all that are in that one room of the space. Yes, that is water out those windows. It was a foggy day and I felt like I was in a movie.
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3 comments:
One of the most important things you need to know about digital photography is to control the flash. Personally, I hate to rely on the automatic flash that comes with the digital camera. Depending on the situation, you need to switch off or switch on the flash.
I'm not sure how that relates to this post.
There is some lovely work here. Thanks for sharing this.
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